Studio Monitors

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53 products

Yamaha HS5 Active Studio Monitor

Speaker type 2-way bi-amp powered studio monitor
Frequency range (-10dB) 54Hz - 30kHz
Components LF 5" cone
HF 1" dome
Crossover 2kHz
Output power 70W (LF:45W, HF:25W)
I/O connectors XLR3-31 type (balanced), PHONE (balanced)
Power consumption 45W
Shape Bass-reflex type
Cabinet material MDF
Dimensions W 170mm (6.7")
H 285mm (11.2")
D 222mm (8.7")
Net weight 5.3kg (11.7 lbs.)
Others LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB below 500Hz)
    

 

€ 178

In Stock → Shipping
1-4 days

Focal Alpha 50 Evo Studio Monitor

  • Type: Alpha 50 Evo Monitoring
  • Frequency response (+/- 3dB): 45Hz - 22kHz
  • Maximum SPL: 101dB SPL (peak @393/8" (1m))
  • Input Connectors: TRS: symmetrical 10kOhms, XLR: symmetrical 10kOhms and RCA: asymmetrical 10kOhms
  • Medium and low frequency amplifier: 35W (music), class D
  • High frequency amplifier: 25W (music), class D
  • Automatic stand-by mode: after about 15 minutes without use and at signal recognition >6mV
  • Power supply: 100 - 240V~ (T2AL fuse/250V)
  • Connection: IEC socket and detachable power cable
  • Sensitivity: Adjustable, 0 or +6dB
  • Level midrange/bass (0 - 300Hz): Adjustable, +/-6dB
  • Treble level (4.5 - 22kHz): Adjustable, +/-3dB
  • Power on/off: On/off button on rear panel
  • Stand-by consumption: <0.5W
  • Views and controls: On and off LED - Stand-by LED
  • Woofer/Base unit: 5" (13cm) Slatefiber cone
  • Tweeter/Disk: 1" (25mm) with aluminium inverted dome
  • Construction: 0.6" (15mm) MDF
  • Finish: Black vinyl and paint
  • Dimensions with 4 rubber feet (HxWxD): 12.2 x 9 x 9.41" (310 x 228 x 239mm)
  • Weight: 13.1lbs (5.95kg)
    

€ 288

€ 237

In Stock → Shipping
1-4 days

Focal Shape 50 Studio Monitor

  • Frequency response (+/-3dB): 50Hz - 35kHz
  • Maximum SPL (musical signal): 106dB SPL (peak @ 1m)
  • Woofer/Base unit: 5" (13cm) Flax Cone
  • Tweeter/Disk: 1" (25mm) 'M' profile Aluminum-Magnesium
  • Inputs/ Impedances: XLR balanced, RCA unbalanced with sensitivity compensation
  • Midrange and low frequency amplifier: 60W, class AB
  • High frequency amplifier: 25W, class AB
  • Finish: Vinyl, real walnut and black painting
  • Dimensions with four rubber feet (HxWxD): 312 x 191 x 242mm
  • Weight: 6.5kg

€ 623

€ 512

In Stock → Shipping
1-4 days

Presonus Eris 3.5 2nd Gen Studie Monitors (Pair)

  • 3.5-inch, woven-composite, low-frequency driver
  • 1-inch, ultra-low mass, silk-dome, high-frequency driver
  • 50W, Class AB dual amplification
  • 80 Hz to 20 kHz frequency response
  • 98 dB SPL (Peak, @ 1 meter)
  • High- and low-frequency Acoustic Tuning controls
  • Balanced, ¼-inch TRS inputs; unbalanced, -inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel -inch output
  • Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
  • Power Saver mode (engages after 40 minutes)
  • Comes with speaker wire, -inch TRS to stereo RCA cable, and stereo -inch TRS to -inch TRS cable
  • VOLTAGE 220-240V EU
  • WATTAGE 25 Watts (Each Speaker)
  • INPUT IMPEDANCE 10 k
  • PEAK SPL 98 dB (@ 1 meter)
  • CROSSOVER FREQUENCY 2.8 kHz
  • CABINET MATERIAL Vinyl-Laminated, Medium-Density Fiberboard
  • AUDIO CONTROLS Volume High Frequency (±6 dB, center 10 kHz, continuously variable) Low Frequency (±6 dB, center 100 Hz, continuously variable)
  • MONITOR INPUTS 1 x Stereo 1/8", 2 x Balanced 1/4" TRS, 2 x Unbalanced RCA
  • POWER AMPLIFIER TYPE Class AB

DIMENSIONS

  • 8.30x5.50x6.00 IN
  • PRODUCT DEPTH6.5" (16.4 cm)
  • PRODUCT HEIGHT8.3" (21.0 cm)
  • PRODUCT WIDTH5.6" (14.1 cm)
    

 

€ 109

In Stock → Shipping
1-4 days

Yamaha HS8 Active Studio Monitor

Yamaha HS8 

Technical specifications:

Speaker type 2-way bi-amp powered studio monitor
Frequency range (-10dB) 38Hz - 30kHz
Components LF 8" cone
HF 1" dome
Crossover 2kHz
Output power 120W (LF:75W, HF:45W)
I/O connectors XLR3-31 type (balanced), PHONE (balanced)
Power consumption 60W
Shape Bass-reflex type
Cabinet material MDF
Dimensions W 250mm (9.8")
H 390mm (15.4")
D 334mm (13.1")
Net weight 10.2kg (22.5 lbs.)
Others LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB below 500Hz)
    

 

€ 314

In Stock → Shipping
1-4 days

Yamaha HS7 Active Studio Monitor

General specifications

Speaker type 2-way bi-amp powered studio monitor
Frequency range (-10dB) 43Hz - 30kHz
Components LF 6.5" cone
HF 1" dome
Crossover 2kHz
Output power 95W (LF:60W, HF:35W)
I/O connectors XLR3-31 type (balanced), PHONE (balanced)
Power consumption 55W
Shape Bass-reflex type
Cabinet material MDF
Dimensions W 210mm (8.3")
H 332mm (13.1")
D 284mm (11.2")
Net weight 8.2kg (18.1 lbs.)
Others LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB below 500Hz)
    

 

€ 237

In Stock → Shipping
1-4 days

Yamaha HS3 Active Studio Monitors (Black)

  • System Type 2-way Powered speaker
  • Frequency Response (-3 dB) 85 Hz - 20 kHz
  • Frequency Response (-10 dB) 70 Hz - 22 kHz
  • Crossover Frequency 3.2 kHz
  • Maximum Output Level (Measured peak, IEC noise@1m) 100 dB SPL

Dimensions:

  • L Side 132×223×189 mm
  • R Side 132×223×177 mm

Weight:

  • L Side 2.8 kg
  • R Side 2.1 kg

Input Connector:

  • L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini
  • R Side: Speaker Input

Output Connector:

  • L Side: Headphone, Speaker Output

Speaker section:

  • Enclosure: Bass-reflex type, Material: MDF
  • Speaker Components: HF: 0.75" Dome, LF: 3.5" Cone
  • Nominal Impedance: 6
  • Amplifier section:
  • Maximum Output:
  • Dynamic, RL=6 - 26 W + 26 W
  • THD 0.1%, 1kHz, RL=6 - 20 W + 20 W
  • Input Impedance LINE 1 (COMBO): 20 k, LINE 2 (RCA, ST Mini): 10 k
  • Input Sensitivity (Volume: Maximum) LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu
  • Maximum Input LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu

Input Connectors: LINE 1: COMBO (XLR/TRS PHONE), LINE 2: RCA, Stereo Mini

Controls:

  • Front: Volume
  • ROOM CONTROL SWITCH 0/-2/-4 dB below 500 Hz
  • HIGH TRIM SWITCH +2/0/-2/-2 dB above 2 kHz

Indicator Power ON (White LED)
Power Requirements (*) Depending on area of purchase; 100-240 V, 50/60 Hz
Power Consumption 15 W
Accessories

  • Included in the package:
  • Stereo Mini - RCA Cable 1.5 m
  • Speaker Cable 2.5 m
  • Anti Slip Pad
  • Quick Start Guide
  • Safety Guide
     
    

 

€ 237

In Stock → Shipping
3-4 days

Pioneer DJ VM-50-W Active Studio Monitor

 

  • Type: Bi-amp 2-way active speaker
  • AMPLIFIER
  • Amplifier type: Class D with DSP
  • LF amplifier: 30 W (4 )
  • HF amplifier: 30 W (4 )
  • Input connectors (balanced input): XLR/TRS combo x 1
  • Input connectors (unbalanced input): RCA x 1
  • Input impedance: 10 k
  • SPEAKER
  • Enclosure: Bass Reflex
  • Enclosure material: MDF vinyl laminate
  • Woofer (LF driver): 5 .25" (133 mm) cones
  • Tweeter (HF driver): 1" (25 mm) soft dome
  • Reproduction frequency band: 40 Hz - 36 kHz
  • Accessories: Power cable, Cushioned feet pads, Instruction Manual, Precautions for use, Warranty
  • POWER UNIT/OTHER
  • Supported voltages: AC 110 V - 240 V, 50 Hz / 60 Hz
  • Power consumption: 30 W
  • Power consumption on standby mode: 0 .3 W or less
  • External dimensions (W × H × D): 198x300x265 mm / 7.80" x 11.81" x 10.43"
  • Weight: 5 .5 kg / 12.1 lbs

 

    

 

€ 166

In Stock → Shipping
1-4 days

Pioneer DJ VM-50

  • Type: Bi-amp 2-way active speaker
  • AMPLIFIER
  • Amplifier type: Class D with DSP
  • LF amplifier: 30 W (4 )
  • HF amplifier: 30 W (4 )
  • Input connectors (balanced input): XLR/TRS combo x 1
  • Input connectors (unbalanced input): RCA x 1
  • Input impedance: 10 k
  • SPEAKER
  • Enclosure: Bass Reflex
  • Enclosure material: MDF vinyl laminate
  • Woofer (LF driver): 5 .25" (133 mm) cones
  • Tweeter (HF driver): 1 " (25 mm) soft dome
  • Reproduction frequency band: 40 Hz - 36 kHz
  • Accessories: Power cable, Cushioned feet pads, Instruction Manual, Precautions for use, Warranty
  • POWER UNIT/OTHER
  • Supported voltages: AC 110 V - 240 V, 50 Hz / 60 Hz
  • Power consumption: 30 W
  • Power consumption on standby mode: 0 .3 W or less
  • External dimensions (W × H × D): 198x300x265 mm / 7.80" x 11.81" x 10.43"
  • Weight: 5 .5 kg / 12.1 lbs
    

 

€ 187

In Stock → Shipping
1-4 days

Pioneer DJ VM-80 Active Studio Monitor

 

  • Type: Bi-amp 2-way active speaker
  • AMPLIFIER
  • Amplifier type: Class D with DSP
  • LF amplifier: 90 W (4 )
  • HF amplifier: 30 W (4 )
  • Input connectors (balanced input): XLR/TRS combo x 1
  • Input connectors (unbalanced input): RCA x 1
  • Input impedance: 10 k
  • SPEAKER
  • Enclosure: Bass Reflex
  • Enclosure material: MDF vinyl laminate
  • Woofer (LF driver): 8 " (203 mm) cones
  • Tweeter (HF driver): 1 " (25 mm) soft dome
  • Reproduction frequency band: 34 Hz - 36 kHz
  • Accessories: Power cable, Cushioned feet pads, Instruction Manual, Precautions for use, Warranty
  • POWER UNIT/OTHER
  • Supported voltages: AC 110 V - 240 V, 50 Hz / 60 Hz
  • Power consumption: 60 W
  • Power consumption on standby mode: 0 .3 W or less
  • External dimensions (W × H × D): 267x400x325 mm
  • Weight: 9 .7 kg

 

    

 

€ 314

In Stock → Shipping
3-4 days

Yamaha HS5 W Active Studio Monitor (White)

Speaker type 2-way bi-amp powered studio monitor
Frequency range (-10dB) 54Hz - 30kHz
Components LF 5" cone
HF 1" dome
Crossover 2kHz
Output power 70W (LF:45W, HF:25W)
I/O connectors XLR3-31 type (balanced), PHONE (balanced)
Power consumption 45W
Shape Bass-reflex type
Cabinet material MDF
Dimensions W 170mm (6.7")
H 285mm (11.2")
D 222mm (8.7")
Net weight 5.3kg (11.7 lbs.)
Others LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB below 500Hz)
    

 

€ 184

In Stock → Shipping
1-4 days

JBL LSR308P-MkII Active Studio Monitor

Frequency Range   :   37Hz - 24khz
Max Peak SPL   :   112 dB SPL C-Weighted
Max Peak Input   :   +23 dBu
LF Driver Size   :   203 mm (8")
HF Driver Size   :   25 mm (1")
LF Driver Power Amp   :   56 W Class D
HF Driver Power Amp   :   56 W Class D
LF Trim Control   :   +2 dB, 0, -2 dB
HF Trim Control   :   +2 dB, 0, -2 dB
Input Types   :   1 x XLR, 1 x TRS Balanced
AC Input Voltage   :   100-240 VAC +/- 10% 50/60 Hz
Dimensions (H x W x D)   :   419 mm x 254 mm x 308 mm
(16.5 in x 10 in x 12.1 in)
Weight   :   8.6 kg (18.9 lbs)

 

    

 

€ 309

In Stock → Shipping
1-4 days

JBL LSR306P MkII Active Studio Monitor

 

 

  LF DRIVER SIZE 165mm (6.5")
  HF DRIVER SIZE 25mm (1")
  HF DRIVER TYPE Soft dome
  CROSSOVER 1425Hz 4th order acoustic Linkwitz-Riley
  OK FOR USE NEAR MAGNETICALLY SENSITIVE EQUIPMENT Yes
  INPUT SENSITIVITY (-10dBV INPUT) 92dB / 1m
  POWER CONFIGURATION Bi-amplified
  HF DRIVER POWER AMP 56W, Class-D
  LF DRIVER POWER AMP 56W, Class-D
  FREQUENCY RESPONSE (±3dB) 47Hz - 20kHz
  FREQUENCY RANGE (-10dB) 39Hz - 24kHz
  LOW FREQUENCY EXTENSION (-10dB) 39Hz
  MAXIMUM CONTINUOUS SPL 92dB
  MAXIMUM PEAK SPL 110dB
  MAXIMUM PEAK INPUT LEVEL (-10dBV / +4dBu) +6dBV / +20.3dBu
  SYSTEM DISTORTION CRITERIA <10% THD at maximum output with full compressor / limiter engagement
  ELECTRICAL DISTORTION CRITERIA 0.2% THD @ 1kHz / 2.83VRMS output; <1% THD @ 1kHz, full rated output
  SIGNAL TO NOISE RATIO 75dBA (A-Weighted), 70dBr (unweighted), relative to 2.83VRMS output
  COVERAGE HORIZONTAL x VERTICAL 120° x 90°
  ANALOG INPUT TYPES 1 x XLR female, 1 x TRS female, balanced
  HF TRIM CONTROL -2dB, 0dB, +2dB
  BOUNDARY EQ LF Shelf @ 50Hz: -3dB, -1.5dB, 0dB
  AC INPUT VOLTAGE 100 - 240VAC (±10%), 50 / 60Hz
  ENCLOSURE TYPE Ported
  ENCLOSURE CONSTRUCTION 15mm MDF
  ENCLOSURE FINISH Matte black PVC
  BAFFLE CONSTRUCTION Injection-molded structural ABS
  CABINET DIMENSIONS (H x W x D) 361 x 224 x 282mm (14.2" x 8.8" x 11.1")
  DISPLAY CARTON (H x W x D) 408 x 285 x 328mm (16.1" x 11.2" x 12.9")
  SHIPPING CARTON (H x W x D) 418 x 292 x 338mm (16.5" x 11.5" x 13.3")
  NET WEIGHT 6.1 kg (13.42 lbs)
  SHIPPING GROSS WEIGHT 7.25 kg (15.95 lbs)

 

€ 225

In Stock → Shipping
1-4 days

Focal Alpha 65 Evo Studio Monitor

  • Type: Alpha 65 Evo Monitoring
  • Frequency response (+/- 3dB): 40Hz - 22kHz
  • Maximum SPL: 104dB SPL (peak @393/8" (1m))
  • Input Connectors: TRS symmetrical 10kOhms, XLR symmetrical 10kOhms, RCA asymmetrical 10kOhms
  • Medium and low frequency amplifier: 55W (music), class D
  • High frequency amplifier: 30W (music), class D
  • Automatic stand-by mode After about 15 minutes without use  and of signal recognition >6mV
  • Power supply: 100 - 240V~, (T2AL fuse/250V)
  • Connection: IEC socket and detachable power cable
  • Sensitivity: Adjustable, 0 or +6dB
  • Level midrange/bass (0 - 300Hz): Adjustable, +/-6dB
  • Treble level (4.5 - 22kHz): Adjustable, +/-3dB
  • Power on/off: On/off button on rear panel
  • Stand-by consumption:  <0.5W
  • Views and controls: On and off LED - Stand-by LED
  • Woofer/Base unit: 6 .5" (16.5cm) Slatefiber cone
  • Tweeter/Diskant: 1" (25mm) with aluminium inverted dome
  • Construction: 0.6" (15mm) MDF
  • Finish: Black vinyl and paint
  • Dimensions with 4 rubber feet (HxWxD): 13.35 x 10.28 x 11.38" (339 x 261 x 289 mm)
  • Weight: 16.8lbs (7.6kg)

 

€ 335

In Stock → Shipping
1-4 days

Focal Shape Twin Studio Monitor

  • Frequency response (+/- 3dB): 40Hz - 35kHz
  • Maximum SPL (of musical signals): 110.5dB SPL (peak at @ 1m)
  • Woofers/Base unit: 2 x 5" (13cm) Flax Cone woofers
  • Tweeter/Disk: 1" (25mm) 'M'-shaped Aluminum/Magnesium
  • Inputs: XLR balanced, RCA unbalanced with sensitivity compensation
  • Mid-range and low frequency amplifier: 2 x 80W, class AB
  • High frequency amplifier: 50W, class AB
  • Finish: Vinyl, real walnut and black paint
  • Dimensions including 4 rubber feet (HxLxD): 478 x 211 x 279 mm
  • Weight: 11kg
    

 

€ 999

In Stock → Shipping
1-4 days

Adam S2V Studio Monitor (+free U-bracket)

Specifications:

  • Panel: backside
  • Frequency response: 35 Hz - 50 kHz (-20 dB)
  • THD > 100 Hz: 0.4 %
  • Max. SPL per pair at 1 m: 120 dB
  • Crossover frequencies: 3 kHz
  • Max. power consumption: 230 W
  • Weight: 11 kg
  • Dimensions (HxWxD): 346 mm x 222 mm x 338 mm
  • Warranty: 5 years (2 years warranty + 3 years optional with product registration)
     

 

€ 2.062

In Stock → Shipping
1-4 days

Adam A44H Studio Monitor

General

- Display: front panel multi-color LED
- Power consumption: 220 W, 10 W, 3.5 W
- AC input voltage: 100 - 240 V, 50/60 Hz
- Weight: 9.7 kg
- Dimensions (HxWxD): 135 mm x 432 mm x 350 mm

- Analog: XLR, RCA
- Input impedance: 9 kOhm / 3.3 kOhm
- Max. input level: + 19 dBu

 

 

€ 617

In Stock → Shipping
1-4 days

Yamaha HS3 W Active Studio Monitors (White)

  • System Type 2-way Powered speaker
  • Frequency Response (-3 dB) 85 Hz - 20 kHz
  • Frequency Response (-10 dB) 70 Hz - 22 kHz
  • Crossover Frequency 3.2 kHz
  • Maximum Output Level (Measured peak, IEC noise@1m) 100 dB SPL

Dimensions:

  • L Side 132×223×189 mm
  • R Side 132×223×177 mm

Weight:

  • L Side 2.8 kg
  • R Side 2.1 kg

Input Connector:

  • L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini
  • R Side: Speaker Input

Output Connector:

  • L Side: Headphone, Speaker Output

Speaker section:

  • Enclosure: Bass-reflex type, Material: MDF
  • Speaker Components: HF: 0.75" Dome, LF: 3.5" Cone
  • Nominal Impedance: 6
  • Amplifier section:
  • Maximum Output:
  • Dynamic, RL=6 - 26 W + 26 W
  • THD 0.1%, 1kHz, RL=6 - 20 W + 20 W
  • Input Impedance LINE 1 (COMBO): 20 k, LINE 2 (RCA, ST Mini): 10 k
  • Input Sensitivity (Volume: Maximum) LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu
  • Maximum Input LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu

Input Connectors: LINE 1: COMBO (XLR/TRS PHONE), LINE 2: RCA, Stereo Mini

Controls:

  • Front: Volume
  • ROOM CONTROL SWITCH 0/-2/-4 dB below 500 Hz
  • HIGH TRIM SWITCH +2/0/-2/-2 dB above 2 kHz

Indicator Power ON (White LED)
Power Requirements (*) Depending on area of purchase; 100-240 V, 50/60 Hz
Power Consumption 15 W
Accessories

  • Included in the package:
  • Stereo Mini - RCA Cable 1.5 m
  • Speaker Cable 2.5 m
  • Anti Slip Pad
  • Quick Start Guide
  • Safety Guide
    

 

€ 237

In Stock → Shipping
1-4 days

Yamaha HS5 Studio Monitor Starter Kit (Black)

Speaker type 2-way bi-amp powered studio monitor
Frequency range (-10dB) 54Hz - 30kHz
Components LF 5" cone
HF 1" dome
Crossover 2kHz
Output power 70W (LF:45W, HF:25W)
I/O connectors XLR3-31 type (balanced), PHONE (balanced)
Power consumption 45W
Shape Bass-reflex type
Cabinet material MDF
Cabinet dimensions W 170mm (6.7")
H 285mm (11.2")
D 222mm (8.7")
Net weight 5.3kg (11.7 lbs.)
Others LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB below 500Hz)

 

€ 445

In Stock → Shipping
1-4 days

Yamaha HS8S Active Subwoofer

Speaker type Powered subwoofer
Frequency range (-10dB) 22Hz - 160Hz
Components LF 8" cone
Output power 150W
I/O connectors INPUT: XLR3-31 type (balanced) x2, PHONE (balanced) x2 / OUTPUT: XLR3-32 type (balanced) x2 (L&R), XLR3-32 type (balanced) x1 (EXT SUB)
Power consumption 70W
Shape Bass-reflex type
Cabinet material MDF
Dimensions W 300mm (11.8")
H 350mm (13.8")
D 389mm (15.3")
Net weight 12.5kg (27.6 lbs.)
Others LEVEL control, PHASE switch : NORM./REV., HIGH CUT control (80-120Hz, center click), LOW CUT control (80-120Hz, center click), LOW CUT switch (ON/OFF)
    

 

€ 541

Preorder week 14

JBL LSR305P MkII Active Studio Monitor

Frequency Range   :   43 Hz-24 kHz
Max Peak SPL   :   108 dB SPL C-Weighted
Max Peak Input   :   +23 dBu
LF Driver Size   :   127 mm (5")
HF Driver Size   :   25 mm (1")
LF Driver Power Amp   :   41 W Class D
HF Driver Power Amp   :   41 W Class D
LF Trim Control   :   +2 dB, 0, -2 dB
HF Trim Control   :   +2 dB, 0, -2 dB
Input Types   :   1 x XLR, 1 x TRS Balanced
AC Input Voltage   :   100-240 VAC +/- 10% 50/60 Hz
Dimensions (H x W x D)   :   298 mm x 238 mm x 251 mm 
(11.75 in x 9.37 in x 9.88 in)
Weight   :   4.6 kg (10.12 lbs)

 

    

 

€ 141

Pioneer DJ VM-70 Active Studio Monitor

  • Type: Bi-amp 2-way active speaker
  • AMPLIFIER
  • Amplifier type: Class D with DSP
  • LF amplifier: 70 W (4 )
  • HF amplifier: 30 W (4 )
  • Input connectors (balanced input): XLR/TRS combo x 1
  • Input connectors (unbalanced input): RCA x 1
  • Input impedance: 10 k
  • SPEAKER
  • Enclosure: Bass Reflex
  • Enclosure material: MDF vinyl laminate
  • Woofer (LF driver): 6 .5" (165 mm) cones
  • Tweeter (HF driver): 1 " (25 mm) soft dome
  • Reproduction frequency band: 37 Hz - 36 kHz
  • Accessories: Power cable, Cushioned feet pads, Instruction Manual, Precautions for use, Warranty
  • POWER UNIT/OTHER
  • Supported voltages: AC 110 V - 240 V, 50 Hz / 60 Hz
  • Power consumption: 45 W
  • Power consumption on standby mode: 0 .3 W or less
  • External dimensions (W × H × D): 229x341x312 mm
  • Weight: 7 .7 kg
    

 

€ 255

Backordered - More On The Way, Unknown Delivery Time

JBL LSR310S Active Studio Subwoofer

Driver

250mm (10-inch) High-Excursion, Down-Firing

 

Low Frequency Extension

27 Hz

 

Max Peak SPL

113 dB

 

Amplifier Power

200 W CLass D

 

Crossover Settings

80 Hz, XLF, External

 

Inputs

2 x XLR, 2 x TRS Balanced

 

Outputs

2 x XLR

 

Maximum Peak Input Level

+20.3 dBu

 

Dimensions (HxWxD)

448 mm x 381 mm x 398 mm 

Weight

15.6 kg / 34.3 lbs

    

 

€ 506

Special item
Ships in 5-8 workdays

Yamaha HS7 W Active Studio Monitor (White)

General specifications

Speaker type 2-way bi-amp powered studio monitor
Frequency range (-10dB) 43Hz - 30kHz
Components LF 6.5" cone
HF 1" dome
Crossover 2kHz
Output power 95W (LF:60W, HF:35W)
I/O connectors XLR3-31 type (balanced), PHONE (balanced)
Power consumption 55W
Shape Bass-reflex type
Cabinet material MDF
Dimensions W 210mm (8.3")
H 332mm (13.1")
D 284mm (11.2")
Net weight 8.2kg (18.1 lbs.)
Others LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB below 500Hz)
    

 

€ 237

Special item
Ships in 10-12 weekdays

Yamaha HS8 W Active Studio Monitor (White)

Speaker type 2-way bi-amp powered studio monitor
Frequency range (-10dB) 38Hz - 30kHz
Components LF 8" cone
HF 1" dome
Crossover 2kHz
Output power 120W (LF:75W, HF:45W)
I/O connectors XLR3-31 type (balanced), PHONE (balanced)
Power consumption 60W
Shape Bass-reflex type
Cabinet material MDF
Dimensions W 250mm (9.8")
H 390mm (15.4")
D 334mm (13.1")
Net weight 10.2kg (22.5 lbs.)
Others LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB below 500Hz)
    

 

€ 314

Special item
Ships in 7-10 workdays

JBL LSR705i Speaker

Specifications

 
   
Frequency Response -1.5 dB @ 48Hz - 23kHz
Frequency Range 39Hz - 36 kHz
Max SPL (80 Hz - 20 kHz) >101 dB SPL / 1m
Maximum Peak SPL (80 Hz - 20 kHz) >107 dB SPL / 1m
HF Driver 2409H
LF Driver 725G
Dividing Network 
Transition Frequency
1.9 kHz
Input Types Phoenix Terminals accept 12 gauge speaker wire
Dimensions (HxWxD) 10.5 x 5.875 x 8.125 in (267 x 149 x 206 mm)
Weight Each 9.0 lb (4.08 kg)
Enclosure Birch plywood reinforced for mounting
Mounting Top, bottom and rear mounting points. 2-hole mounting pattern
    

 

€ 1.208

Special item
Ships in 5-8 workdays

JBL LSR708i

 

Specifications

 
   
Frequency Response -1.5 dB @ 45Hz - 23kHz
Frequency Range 35Hz - 36 kHz
Max SPL (80 Hz - 20 kHz) >108 dB SPL / 1m
Maximum Peak SPL (80 Hz - 20 kHz) >114 dB SPL / 1m
HF Driver 2409H
LF Driver 728G
Dividing Network 
Transition Frequency
1.7 kHz
Input Types Phoenix Terminals accept 12 gauge speaker wire
Dimensions (HxWxD) 17.25 x 9.75 x 11.5 in (438 x 248 x 292 mm)
Weight Each 25.2 lb (11.5 kg)
Enclosure Birch plywood reinforced for mounting
Mounting Top, bottom and rear mounting points. 4-hole mounting pattern
    

 

€ 2.684

Special item
Ships in 5-8 workdays

Pioneer DJ DM-40BT-W Studio Monitors w. Bluetooth (White)

Specifications

 

Main Features

Type

2-way bass reflex, active monitor speakers

Tweeter

¾-inch Soft Dome

Woofer

4-inch Fiberglass

Included Accessories

  • Power cord

  • 2 m speaker cable (for left/right channel connection)

  • Audio converter cable (3.5 mm stereo mini plug to RCA)

  • Bottom cushion

  • Operating instructions

 

Specifications

Dimensions (W x H x D)

  • Left ch: 146 x 227 x 223 mm

  • Right ch: 146 x 227 x 210 mm

Weight

  • Left ch: 2.7 kg

  • Right ch: 2.2 kg

Amplifier Output

Class A/B amp: 2 x 21 W / 4

Frequency Range

70 - 30000 Hz

Impedance

10 k

Power Consumption

35 W

Power Consumption (Standby)

0.3 W

 

Terminals

Inputs

  • 1 LINE (RCA)

  • 1 LINE (Mini-jack)

Outputs

1 HEADPHONE MONITOR (Mini jack)

 

Bluetooth®

Output

Bluetooth® Specification Class 2

Supported Codec

SBC, AAC, Qualcomm® aptX, Qualcomm® aptX Low Latency

Version

Bluetooth® Specification Ver. 4.2

    

 

€ 196

Pre-order week 18

Palmer STUDIMON 5 Studio Monitor

Low/mid driver dimensions

5 "


Woofer size

127 mm


Woofer magnet

80 mm Ferrit


Woofer brand

Custom-made


HF driver dimensions

0.75 "


HF Driver Size

19 mm


HF driver magnet

28 mm Neodym


HF driver brand

Custom-made


Power amplifier (Class A)

Class A/B


Dispersion (H x V)

120 ° x 120 °


RMS

2 x 30 W


Frequency response

70 - 20.000 Hz


Crossover frequency

2500 Hz


Max. SPL

110 dBU @ 1 kHz dB


Signal-to-noise ratio

85 dB


Protection circuits

Overtemperature , short circuit


Input impedance

10,000 Ohm(s)


Controls

mains switch (on/off) , volume control


Indicators

orange (LED)


Line input connectors

6.3 mm stereo jack (balanced) , XLR (balanced)


Operating voltage

Switching power supply


Operating voltage

100 V AC - 240 V AC, 50 - 60 Hz


Cabinet material

Birch Plywood , MDF


Housing Wall Strength

15 mm


Cabinet surface

Laminated , stained


Cabinet colour

Black


Cabinet construction

vented

    

 

€ 188

Special item
Ships in 5-8 workdays

Yamaha MSP3A Active Studio Monitor

  • Speaker type: 2-way powered speaker, Bass-reflex type (Twisted Flare Port)
  • Frequency response (-10dB): 67Hz - 22kHz
  • Components: LF: 4 " (10 cm) Cone, HF: 0 .8" (2.2 cm) Dome
  • Crossover: 4kHz
  • Output power: 22W
  • Maximum Output Level (Measured peak, IEC noise@1m): 99dB SPL
  • Input sensitivity: LINE 1 : -10 dBu, 10k (RCA), LINE 2 : +4.0 dBu, 10k (Combo)
  • I/O connectors: LINE 1: RCA, LINE 2: Combo (XLR/TRS phone)
  • Indicators: Power ON (Green LED)
  • Power requirements: May vary depending on region: 120V 50/60Hz, 110 - 120V 50/60Hz, 230V 50/60Hz, 220 - 230V 50/60Hz, 220V 50Hz, 240V 50Hz
  • Power consumption: 30W
  • Others: Level control (LINE1, LINE2); Tone control (LOW = Center, REF = 100Hz : MIN -3.0 ± 2.0 dB, MAX +3.0 ± 2.0 dB; HIGH = Center, REF = 10kHz : MIN -3.0 ± 2.0 dB, MAX +3.0 ± 2.0 dB)
  • Dimensions: W: 144mm (5-5/8"): H: 236mm (9-1/4"): D: 166mm (6-5/8")
  • Net weight: 3.6kg (7.9 lbs.)
  • Accessories: Power cord, Owner's manual

 

€ 241

Special item
Ships in 10-12 weekdays

Yamaha HS4 Active Studio Monitors (Black)

  • System Type 2-way Powered speaker
  • Frequency Response (-3 dB) 83 Hz - 20 kHz
  • Frequency Response (-10 dB) 60 Hz - 22 kHz
  • Crossover Frequency 2.3 kHz
  • Maximum Output Level (Measured peak, IEC noise@1m) 102 dB SPL

Dimensions:

  • L Side 150×240×213 mm
  • R Side 150×240×203 mm

Weight:

  • L Side 3.7 kg
  • R Side 3.1 kg

Input Connector:

  • L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini
  • R Side: Speaker Input

Output Connector:

  • L Side: Headphone, Speaker Output

Speaker section:

  • Enclosure: Bass-reflex type, Material: MDF
  • Speaker Components: HF: 1" Dome, LF: 4.5" Cone
  • Nominal Impedance: 6
  • Amplifier section:
  • Maximum Output:
  • Dynamic, RL=6 - 26 W + 26 W
  • THD 0.1%, 1kHz, RL=6 - 20 W + 20 W
  • Input Impedance LINE 1 (COMBO): 20 k, LINE 2 (RCA, ST Mini): 10 k
  • Input Sensitivity (Volume: Maximum) LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu
  • Maximum Input LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu

Input Connectors: LINE 1: COMBO (XLR/TRS PHONE), LINE 2: RCA, Stereo Mini

Controls:

  • Front: Volume
  • ROOM CONTROL SWITCH 0/-2/-4 dB below 500 Hz
  • HIGH TRIM SWITCH +2/0/-2/-2 dB above 2 kHz

Indicator Power ON (White LED)
Power Requirements (*) Depending on area of purchase; 100-240 V, 50/60 Hz
Power Consumption 15 W
Accessories

  • Included in the package:
  • Stereo Mini - RCA Cable 1.5 m
  • Speaker Cable 2.5 m
  • Anti Slip Pad
  • Quick Start Guide
  • Safety Guide
    

 

€ 282

Preorder week 14

Yamaha HS4 W Active Studio Monitors (White)

  • System Type 2-way Powered speaker
  • Frequency Response (-3 dB) 83 Hz - 20 kHz
  • Frequency Response (-10 dB) 60 Hz - 22 kHz
  • Crossover Frequency 2.3 kHz
  • Maximum Output Level (Measured peak, IEC noise@1m) 102 dB SPL

Dimensions:

  • L Side 150×240×213 mm
  • R Side 150×240×203 mm

Weight:

  • L Side 3.7 kg
  • R Side 3.1 kg

Input Connector:

  • L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini
  • R Side: Speaker Input

Output Connector:

  • L Side: Headphone, Speaker Output

Speaker section:

  • Enclosure: Bass-reflex type, Material: MDF
  • Speaker Components: HF: 1" Dome, LF: 4.5" Cone
  • Nominal Impedance: 6
  • Amplifier section:
  • Maximum Output:
  • Dynamic, RL=6 - 26 W + 26 W
  • THD 0.1%, 1kHz, RL=6 - 20 W + 20 W
  • Input Impedance LINE 1 (COMBO): 20 k, LINE 2 (RCA, ST Mini): 10 k
  • Input Sensitivity (Volume: Maximum) LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu
  • Maximum Input LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu

Input Connectors: LINE 1: COMBO (XLR/TRS PHONE), LINE 2: RCA, Stereo Mini

Controls:

  • Front: Volume
  • ROOM CONTROL SWITCH 0/-2/-4 dB below 500 Hz
  • HIGH TRIM SWITCH +2/0/-2/-2 dB above 2 kHz

Indicator Power ON (White LED)
Power Requirements (*) Depending on area of purchase; 100-240 V, 50/60 Hz
Power Consumption 15 W
Accessories

  • Included in the package:
  • Stereo Mini - RCA Cable 1.5 m
  • Speaker Cable 2.5 m
  • Anti Slip Pad
  • Quick Start Guide
  • Safety Guide

 

    

 

€ 295

Special item
Ships in 5-8 workdays

KRK S10 G4 Subwoofer

  • Configuration: Front-loaded
  • System type: Active subwoofer
  • Low frequency: 10" Glass Aramid Composite Woofer
  • Frequency Response: 30Hz - 110Hz
  • Maximum Peak SPL: 117.2 dB
  • Amplifier: Class D
  • Power output (continuous): 160 watts at 1% THD+N at 44Hz
  • Signal-to-noise ratio: 92 dB
  • Amplifier distortion (THD+N): 0.12% @-3dB of maximum power output 31Hz-110Hz
  • Input Impedance: 9.4 K Balanced, 9.2 K Unbalanced
  • Ground Lift: On/Off
  • HPF Bypass: With footswitch only
  • Footswitch: Optional
  • Indicators: Power/Waiting Mode
  • Input connections: XLR L/R, 1/4" TRS L/R, RCA L/R, 1/4" Footswitch
  • LFE input: Not applicable
  • Output connections: XLR L/R, 1/4" TRS L/R, RCA L/R
  • AC power input: 100VAC-240VAC
  • Enclosure: 15 mm and 18 mm reinforced MDF
  • Finish: Black vinyl wrap, baffle - black paint
  • Hardware: EVA Insulation pad
  • Dimensions (H x W x D): 13.4375" (341 mm) x 18.875" (479 mm) x 12.1875" (310 mm)
  • Weight: 35 lb. (15.88 kg.)

 

€ 403

Special item
Ships in 5-8 workdays

KRK S12 G4 Subwoofer

  • System type: Active subwoofer
  • Low frequency: 12" Kevlar® Aramid Composite woofer
  • Frequency response: 26Hz - 97Hz
  • Maximum peak SPL: 119.9 dB
  • Amplifier: Class D
  • Power output (continuous): 220 watts at 1% THD+N at 44Hz
  • Signal-to-noise ratio: 92 dB
  • Amplifier distortion (THD + N): 0.3% @ -3 dB of maximum power output 29Hz-97Hz
  • Input impedance: 9.4 K balanced, 9.2 K unbalanced
  • Ground Lift: On/Off
  • HPF Bypass: With footswitch only
  • Footswitch: Optional
  • Indicators: Power/Standby
  • Input connectors: XLR L/R, 1/4" TRS L/R, RCA L/R, 1/4" footswitch
  • LFE input: Balanced TRS
  • Output connectors: XLR L/R, 1/4" TRS L/R, RCA L/R
  • AC power input: Selectable 110V-120V / 220V-240V
  • Cabinet: 18 mm reinforced MDF
  • Finish: Black vinyl, front panel - Black paint
  • Hardware: EVA insulation pad
  • Dimensions (H x W x D): 416 mm x 606 mm x 365 mm
  • Weight: 28.3 kg
    

 

€ 698

Special item
Ships in 5-8 workdays

KRK S8 G4 Subwoofer

  • Configuration: Front Loaded, vented subwoofer
  • System Type: Active Subwoofer
  • Low Frequency: 8" Glass Aramid Composite Woofer
  • Frequency Response: 34.5 Hz - 133 Hz
  • Maximum Peak SPL: 112.8 dB
  • Amplifier: Class D
  • Power output (continuous): 109 Watt @ 1% THD+N @ 46 Hz
  • Signal-to-noise ratio: 92 dB
  • Amplifier distortion (THD + N): 0.1% @ -3 dB of maximum power output 35 Hz - 133 Hz
  • Input Impedance: 9.4 K Balanced, 9.2 K Unbalanced
  • Ground Lift: On/Off
  • HPF Bypass: With footswitch only
  • Footswitch: Optional
  • Indicators: Power/Clear
  • Input Connections: XLR L/R, 1/4" TRS L/R, RCA L/R, 1/4" Footswitch
  • LFE Input: N/A
  • Output Connections: XLR L/R, 1/4" TRS L/R, RCA L/R
  • AC Power Input: 100VAC-240VAC
  • Enclosure: 15 mm and 18 mm reinforced MDF
  • Finish: Black vinyl, Front - Black paint
  • Hardware: EVA Insulation pad
  • Dimensions (H x W x D): 279 mm x 410 mm x 292 mm
  • Weight: 12 kg

 

€ 309

Special item
Ships in 5-8 workdays

KRK Rokit 5 Generation Five Active Studio Monitor

Configuration 2-Way Bass Reflex
System Type Active Studio Monitor
Low-Frequency Driver Woofer, 5-inch, woven Kevlar® aramid fiber cone, ferrite magnet
High-Frequency Driver Tweeter, 1-inch, Silk Dome, Copper Cap, ferrite magnet
Frequency Response (+/- 3 dB) 54 Hz - 30 kHz
Frequency Range (+3/-10 dB) 43 Hz - 40 kHz
Crossover Frequency 2.27 kHz
Amplifier Configuration Bi-amplified (Class D)
HF Amp Power Output* 20 Watts
LF Amp Power Output* 35 Watts
Total Power* 55 Watts
Total Dynamic Power Output** 130 Watts
Max SPL*** 104 dB
Coverage Angles**** 155° Horizontal x 126° Vertical
Analog Input Connector Balanced XLR / 1/4" TRS Combo
Input Impedance 5.12k Balanced
SNR (Signal to Noise Ratio) >101.5 dB (Low Sensitivity setting, balanced), >94 dB (High Sensitivity, unbalanced)
AC Input Voltage 100 - 240VAC (+/- 10%), 50/60 Hz
Fuse Type 5x20 mm T1A 250V
Enclosure Construction PVC Vinyl Wrapped MDF
Baffle Construction Structurally Reinforced High Impact Polystyrene
Product Dimensions (H x W x D) 11.34" (288 mm) x 7.52" (191 mm) x 9.53" (242 mm)
Packaged Dimensions (H x W x D) 15.75" (400 mm) x 10.24" (260 mm) x 12.6" (320 mm)
Product Weight 10.91 lbs. (4.95 Kg.)
Packaged Weight 14.33 lbs. (6.5 Kg.)
Optional Accessories KRKSTDX68W1 Mounting Bracket and KRKSTDX4A1 35 mm Mounting Adapter

    

 

€ 195

Special item
Ships in 5-8 workdays

KRK Rokit 7 Generation Five Active Studio Monitor

Configuration 2-Way Bass Reflex
System Type Active Studio Monitor
Low-Frequency Driver Woofer, 7-inch, woven Kevlar® aramid fiber cone, ferrite magnet
High-Frequency Driver Tweeter, 1-inch, Silk Dome, Copper Cap, ferrite magnet
Frequency Response (+/- 3 dB) 45 Hz - 36 kHz
Frequency Range (+3/-10 dB) 36 Hz - 40 kHz
Crossover Frequency 1.64 kHz
Amplifier Configuration Bi-amplified (Class D)
HF Amp Power Output* 48 Watts
LF Amp Power Output* 97 Watts
Total Power* 145 Watts
Total Dynamic Power Output** 234 Watts
Max SPL*** 110 dB
Coverage Angles**** 155° Horizontal x 133° Vertical
Analog Input Connector Balanced XLR / 1/4" TRS Combo
Input Impedance 5.12k Balanced
SNR (Signal to Noise Ratio) >91.5 dB (Low Sensitivity setting, balanced), >89 dB (High Sensitivity, unbalanced)
AC Input Voltage 100 - 240VAC (+/- 10%), 50/60 Hz
Fuse Type 5x20 mm T1.6A 250V
Enclosure Construction PVC Vinyl Wrapped MDF
Baffle Construction Structurally Reinforced High Impact Polystyrene
Product Dimensions (H x W x D) 13.35" (339 mm) x 8.86" (225 mm) x 11.42" (290 mm)
Packaged Dimensions (H x W x D) 18.11" (460 mm) x 12.20" (310 mm) x 14.57" (370 mm)
Product Weight 16.87 lbs. (7.65 Kg.)
Packaged Weight 21.16 lbs. (9.6 Kg.)
Optional Accessories KRKSTDX68W1 Mounting Bracket and KRKSTDX4A1 35 mm Mounting Adapter

 

€ 269

Special item
Ships in 5-8 workdays

KRK Rokit 8 Generation Five Active Studio Monitor

Configuration 2-Way Bass Reflex
System Type Active Studio Monitor
Low-Frequency Driver Woofer, 8-inch, woven Kevlar® aramid fiber cone, ferrite magnet
High-Frequency Driver Tweeter, 1-inch, Silk Dome, Copper Cap, ferrite magnet
Frequency Response (+/- 3 dB) 42 Hz - 36 kHz
Frequency Range (+3/-10 dB) 32 Hz - 40 kHz
Crossover Frequency 1.64 kHz
Amplifier Configuration Bi-amplified (Class D)
HF Amp Power Output* 68 Watts
LF Amp Power Output* 135 Watts
Total Power* 203 Watts
Total Dynamic Power Output** 312 Watts
Max SPL*** 111 dB
Coverage Angles**** 148° Horizontal x 125° Vertical
Analog Input Connector Balanced XLR / 1/4" TRS Combo
Input Impedance 5.12k Balanced
SNR (Signal to Noise Ratio) >94 dB (Low Sensitivity setting, balanced), >91 dB (High Sensitivity, unbalanced)
AC Input Voltage 100 - 240VAC (+/- 10%), 50/60 Hz
Fuse Type 5x20 mm T2A 250V
Enclosure Construction PVC Vinyl Wrapped MDF
Baffle Construction Structurally Reinforced High Impact Polystyrene
Product Dimensions (H x W x D) 15.75" (400 mm) x 10.47" (266 mm) x 12.56" (319 mm)
Packaged Dimensions (H x W x D) 20.47" (520 mm) x 13.78" (350 mm) x 15.35" (390 mm)
Product Weight 23.04 lbs. (10.45 Kg.)
Packaged Weight 28.66 lbs. (13 Kg.)
Optional Accessories KRKSTDX68W1 Mounting Bracket and KRKSTDX4A1 35 mm Mounting Adapter

 

€ 335

Special item
Ships in 5-8 workdays

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What is a studio monitor and why do you need one?

A studio monitor is a specialized type of speaker designed to provide an accurate and uncolored representation of audio. Unlike regular speakers, which often enhance certain frequencies to make music sound more pleasing, studio monitors are built to deliver a flat frequency response. This flat response is crucial in music production and mixing because it allows producers and engineers to hear the audio as it truly is, without any added coloration. This accuracy is essential for making precise adjustments to the mix, ensuring that the final product sounds great on all playback systems.

Understanding what a studio monitor is and why you need one is fundamental for anyone serious about music production. Whether you are setting up a home recording studio or upgrading your current equipment, studio monitors are an indispensable tool. They provide the critical listening environment needed to create professional-quality mixes. For beginners, it might be tempting to rely on regular speakers, but the lack of accuracy can lead to mixes that sound good in your studio but fall apart when played on other systems. This is why investing in the best studio monitor for home recording studio is a decision that can significantly impact the quality of your work.

Different types of studio monitors and their features

Studio monitors come in various types, each designed to meet specific needs and preferences in a recording environment. The most common types are nearfield monitors and midfield monitors. Each type offers distinct advantages depending on the size of your studio and the nature of your work. Nearfield monitors are designed to be placed close to the listener, typically within three to five feet. They are the most popular choice for home studios and smaller professional setups because they minimize the effects of room acoustics on the sound. By placing the monitors close to your listening position, you reduce the influence of reflections and other acoustic anomalies, allowing for a more accurate representation of the audio. This makes nearfield monitors ideal for mixing and critical listening in confined spaces. Midfield monitors, on the other hand, are intended for larger studios where the listening position is farther from the monitors. These monitors are typically larger and more powerful, capable of producing higher volumes and handling a broader frequency range. Midfield monitors are often used in professional studios where the room is acoustically treated, and the mixing engineer needs to fill the space with sound. Understanding the different types of studio monitors and their features is crucial for selecting the right monitor for your specific studio setup. When choosing a studio monitor, it’s also important to consider other features such as driver size, frequency response, and the materials used in construction. For example, monitors with larger drivers can produce more bass, but they may also require more power and larger cabinets. Additionally, some monitors offer advanced features like room correction EQs, which can help tailor the sound to your specific environment. Whether you’re mixing intricate soundscapes or producing music for commercial release, selecting the right studio monitor is essential for achieving the best results.

How to choose the right studio monitor for your setup

Selecting the right studio monitor for your setup involves more than just picking the most expensive or popular model. It requires a thorough knowledge of your studio’s size, acoustics, and the type of work you’ll be doing. The goal is to find a monitor that fits your specific needs, ensuring that you can make accurate decisions during the mixing and production process. When considering how to choose the right studio monitor for your setup, the first factor to consider is the size of your studio. For smaller rooms, nearfield monitors are usually the best choice because they are designed to be used at close distances. These monitors help reduce the impact of room reflections and can deliver a more accurate sound in confined spaces. On the other hand, if you have a larger studio or if your setup includes multiple listening positions, you might benefit from using midfield monitors. These monitors can cover a broader area and are better suited for environments where the sound needs to travel farther. Another important factor is the frequency response of the monitors. A monitor with a flat frequency response is ideal because it provides an accurate representation of the audio across the entire spectrum. However, some monitors are tuned to emphasize certain frequencies, which can be beneficial depending on the type of music you produce. For example, if you produce bass-heavy music, you might prefer monitors that have a slight boost in the low frequencies. Conversely, if you work with vocals or acoustic instruments, you might prioritize monitors with a more balanced midrange. Finally, consider the connectivity options available on the monitors. Most studio monitors offer a variety of input options, including XLR, TRS, and RCA connectors. Ensure that the monitors you choose can be easily integrated into your existing setup, whether you’re connecting them to an audio interface, mixer, or directly to a computer. Learning how to connect studio monitors to your audio interface is essential for achieving a clean and reliable signal path, which directly impacts the quality of your work.

The benefits of using studio monitors over regular speakers

One of the most common questions among aspiring producers and home studio owners is why they should invest in studio monitors when they already have high-quality regular speakers. The answer lies in the purpose and design of studio monitors, which are built to provide an accurate and honest representation of audio, unlike regular speakers that often enhance certain frequencies to make music sound more enjoyable. The primary benefit of using studio monitors is their ability to deliver a flat frequency response. This means that the sound you hear from studio monitors is not artificially colored or enhanced. Instead, it reflects the true nature of the recording, allowing you to make precise adjustments during the mixing process. Regular speakers, on the other hand, are designed to make music sound good, often boosting the bass or treble frequencies. While this might be enjoyable for casual listening, it can lead to misleading decisions when mixing, resulting in a final product that sounds unbalanced on other playback systems. Another key advantage of studio monitors is their focus on detail and clarity. Studio monitors are engineered to reveal every nuance in the audio, from subtle reverb tails to intricate stereo imaging. This level of detail is crucial for identifying and addressing issues in a mix, such as phase problems, frequency masking, or unwanted distortion. Knowing the benefits of using studio monitors over regular speakers is essential for anyone looking to produce professional-quality music. In addition, studio monitors are typically designed to work in a nearfield setup, where the listener is positioned close to the speakers. This setup reduces the influence of room acoustics, providing a more controlled listening environment. Regular speakers, by contrast, are often designed for far-field listening, where the sound interacts more with the room before reaching the listener. This interaction can introduce unwanted reflections and colorations, making it harder to achieve an accurate mix. By using studio monitors, you can ensure that your mixes translate well across different playback systems, from headphones to car stereos and beyond.

How to properly position your studio monitors for the best sound

Proper positioning of your studio monitors is critical for achieving accurate sound reproduction in your studio. Even the best studio monitors can deliver subpar performance if they are not placed correctly. To get the most out of your monitors, it’s important to fathom the principles of monitor placement and how they interact with your studio’s acoustics. When considering studio monitor placement for optimal sound quality, the first rule is to position the monitors at ear level. This ensures that the high frequencies, which are more directional, reach your ears directly. If the monitors are placed too high or too low, you might miss out on important details in the audio. Many studio monitors come with adjustable stands or mounts that allow you to fine-tune their height. The next step is to create an equilateral triangle between your listening position and the two monitors. This means that the distance between the monitors should be the same as the distance from each monitor to your ears. This arrangement helps to create a balanced stereo image, allowing you to accurately judge panning and spatial effects in your mix. It’s also important to consider the distance between the monitors and the walls. Placing monitors too close to a wall can result in bass buildup, where low frequencies are exaggerated due to reflections. To avoid this, try to place the monitors at least a few feet away from the nearest wall. If your space is limited, consider using bass traps or acoustic panels to minimize the impact of reflections. Finally, angle the monitors slightly inward so that they are pointing directly at your listening position. This helps to focus the sound and ensures that you are in the “sweet spot,” where the stereo image is most accurate. Properly positioning your monitors can significantly improve the accuracy of your mixes, allowing you to make more informed decisions during the production process.

Common mistakes to avoid when setting up studio monitors

Setting up studio monitors might seem straightforward, but there are several common mistakes that can compromise their performance. Being aware of these pitfalls can help you achieve the best possible sound quality in your studio. One of the most common mistakes is placing the monitors too close to the walls or corners of the room. As mentioned earlier, this can lead to bass buildup, where certain frequencies are exaggerated, causing an unbalanced mix. To avoid this, ensure that your monitors are placed at an appropriate distance from the walls, and consider using acoustic treatment to manage reflections. Another mistake is failing to position the monitors at the correct height. If the monitors are too high or too low, you may not hear the full frequency range accurately, especially the higher frequencies. Always aim to have the monitors at ear level, and use adjustable stands if necessary to achieve the correct height. Incorrect speaker orientation is another common issue. Monitors should be placed in a way that the tweeters are aligned with your ears. This typically involves angling the monitors inward so that they are facing your listening position. If the monitors are placed flat against a wall or angled incorrectly, you may experience phase issues or an inaccurate stereo image. Finally, neglecting the importance of the “sweet spot” is a mistake many beginners make. The sweet spot is the ideal listening position where the stereo image and frequency response are most accurate. To find the sweet spot, sit at the point where the distance between you and each monitor forms an equilateral triangle. Moving out of this spot can result in an unbalanced stereo field, making it difficult to make accurate mixing decisions. By avoiding these common studio monitor setup mistakes, you can ensure that your monitors perform at their best, providing you with the accurate sound you need for professional-quality mixes.

How to connect studio monitors to your audio interface

Connecting studio monitors to your audio interface is a crucial step in setting up your studio for optimal sound quality. The process is relatively simple, but it’s important to apprehend the different types of connections and how they can impact your audio signal. Most studio monitors feature a variety of input options, including XLR, TRS (balanced 1/4-inch), and RCA connectors. XLR and TRS are balanced connections, which means they are designed to minimize noise and interference, making them ideal for professional audio setups. RCA connectors are unbalanced and are typically used in consumer audio equipment, but they can still be useful in certain situations. To connect your studio monitors to your audio interface, start by determining which type of output your interface provides. Most audio interfaces will have balanced outputs, either XLR or TRS, which should be matched with the corresponding inputs on your monitors. If your interface has unbalanced RCA outputs, you can still connect to your monitors, but you may need to use an adapter or special cables. Once you have the appropriate cables, connect the left and right outputs of your audio interface to the corresponding inputs on your studio monitors. It’s important to ensure that the connections are secure to avoid any signal loss or noise. After connecting the monitors, set the output levels on your interface to a moderate level and gradually increase the volume on your monitors to avoid any sudden loud noises. If your studio monitors have built-in volume controls, make sure to set them to a level that matches your overall monitoring setup. It’s usually recommended to set the monitor volume controls to their default or “unity” position, where they neither boost nor attenuate the signal. Comprehending how to connect studio monitors to your audio interface is essential for achieving a clean, balanced sound, which is crucial for accurate monitoring and mixing.

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